IR Chrome Infrared Photography by Matthew Borowick
IR Chrome is Matthew Borowick's full-spectrum infrared photography practice, using an orange bandpass filter to simulate the classic Kodak Aerochrome aesthetic — rendering foliage in vivid reds and pinks against natural skies. The project grew out of work shot in Bali.
There is a version of every landscape that the human eye will never see. These photographs go looking for it.
Inspired by Kodak Aerochrome - the discontinued false-color infrared film that turned the natural world into something between a fever dream and a revelation - this work is made with a full-spectrum converted camera paired with an orange bandpass filter. The technique blocks visible light entirely, exposing only the infrared wavelengths that pass through foliage, atmosphere, and shadow in ways that daylight photography never captures.
The effect is immediate and disorienting. Green vegetation becomes a burning amber. Surfaces that appear flat in conventional light reveal texture, depth, and presence. What reads at first as a color effect is, in practice, a different way of seeing - one that asks whether the world we photograph is the world that actually exists, or simply the one we've agreed to accept.
These are not altered images. They are accurate ones. Just not to the light you're used to.
What is IR Chrome photography?
A full-spectrum infrared technique using an orange bandpass filter to simulate the discontinued Kodak Aerochrome film — foliage renders in vivid reds and pinks, skies stay naturally colored.
How is it different from a color filter or edit?
The color shift happens optically, in-camera, through a full-spectrum conversion and filter — not in post-processing.
Where was this series shot?
The project began with work shot in Bali.
Are prints available?
Yes, in limited editions.